You will be able to enjoy German bands during the Saturday night in the Rock Café and then also in the Jazz Dock. The club night was supported by the Czech-German Future Fund/Deutsch-Tschechischer Zukunftsfonds. And who will arrive?
Albertine Sarges
Albertine grew up in Kreuzberg, but branches out from there to embrace feminist theory and mental health. "So much of this album is about the experience of belonging vs. struggling alone," he says. “These moments when you say ‘yes!’ and let yourself fall into the arms of the community. To be held and the tenderness of that trust.” The Sticky Fingers is named after Sarges' close friends with whom she made this debut with Rosa Mercedes, Lisa Baeyens and Robert Kretzschmar.
Lucy Kruger & The Lost Boys
Lucy Kruger is a singer and songwriter from Cape Town, South Africa who now lives in Berlin. Her music focuses on bare bones songs, slow burning psychedelic folk that is both intimate and ambient. Lucy will release her second full-length album Sleeping Tapes for Some Girls via Unique Records on September 27th.
Sparkling
Sparkling is a German artpop band. She recently released the EP This Is My Life / Das Ist Mein Laben / C'est Ma Vie, which was produced by Al Doyle (LCD Soundsystem) and Jow Goddard (Hot Chip). The EP was created in London, where the band moved after finishing art school in Germany. They thus follow up on their post-punk-influenced debut I Want to See Everything, with which they were assisted by Andy Ramsay from the legendary Stereolab.
Minimal Schalger
Mixing Italian Disco, Dark Wave and Synth Pop, the Minimal Schlager has not stopped making new songs and released his debut EP Voodoo Eyes on Duchess Box Records in spring 2021 to critical acclaim from Mexico to Australia.
Lorenz Kellhuber
Classical music is firmly anchored in his DNA, jazz taught him to stand on his own two feet - and in free improvisation, Lorenz Kellhuber repeatedly finds the limitless fulfillment of his musical vision, contemporary chamber music. He plays with his own musical history, intuitively searches for different stations of his musical imprint, from baroque to modern. There are no limits, except his own artistic pretensions. He thus creates unique snapshots from his concerts that require a concentrated willingness to listen - and which reward this listening with the discovery of an incomparable world of sound.